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The Sony Alpha A390 uses a 40 zone metering system similar to its predecessor the A380 and Sony Alpha A350. White balance is relatively accurate when used with fluorescent lamps. However, color tends to fall back to colder if you set the “Incadescent Light” standard. The picture was a little warm when shooting in the light of the filament. The auto white balance on the A390 is quite impressive. The camera also offers a number of scene modes on a mode dial with optimized color settings to provide maximum simplicity for the average user. The red, blue and green saturation are slightly larger than normal but not too harsh so they have a positive effect on making the image brighter and lively when shooting outdoors and under cold light sources. With the default setting, the A390 reproduces colors fairly accurately. The test also shows that RAW files are slightly more compact than JPEG images. Due to its large resolution resolution, the shots in bright conditions are rich in detail and even without breaks, even when cropping for large prints. This also means that users can enjoy anti-shake technology on all lenses compatible with Alpha lenses. Despite being a cheap DSLR, the A390 is still equipped with a dusty sensor system and image stabilization mechanism in the camera body. The Sony Alpha A390 features a 14.2-megapixel APS-C 23.5x 15.7mm Aperture-Effective CCD. The dual card slots are compatible with both Sony Memory Stick Duo and traditional SD formats on popular DSLRs.
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On the connection, the machine allows data transfer via USB port and supports image playback on the TV screen via HDMI. The A390’s control system remains as simple as its predecessors, however, some suggest that Sony should design a Menu key more large, Users get quick access to these features when shooting hastily. Compared to the A380 predecessor, the gear configuration parameters on the A390 are also larger and easier to adjust as they are placed close to the edge of the grip just like the Nikon DSLRs. The position of the power key combination / push button is pushed away so that the user can easily control the machine with the index finger. The recessed grips are designed with greater depth to ensure the sturdiness and comfort of use even when used with heavy lenses. Magnification when used with 50mm lens set to infinity focus is only about 0.74x, slightly less than competitor Nikon D5000 (0.78x) and far behind Canon 500D (0.87x). However, this improvement makes the optical viewfinder dark and narrow enough. Similar to its predecessor A380, Sony has designed an additional flip side mirror and aperture priority sensor to provide instant AF focus in live-view mode. While it is not possible to rotate in much the same way that LCDs do on some of the newer cameras, the A390’s screen remains flexible and handy with difficult shooting positions such as close to the ground or lifting machines.
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However, the machine is more advantageous in the large screen size (2.7 inches) and the ability to turn multi-function (135 degrees up or 55 degrees down). Sony Alpha A390 has a fairly lightweight body with a bare weight of about 500 grams, comparable to the Nikon D3000 and Canon EOS 1000D. However, the machine still exists some “minus points” very disappointing such as the ability to reduce noise, illuminated unstable and lack of video recording features. Compared to previous versions, Alpha A390 has limited color distortion and poor white balance in complex light environments. The new camera is just slightly different from the “predecessor” Sony Alpha A380 in the design of the grip as well as the rear combination of the power / focus keys and the adjustment disc on the top. An upgraded version of the popular DSLR, the Sony Alpha A390 retains the “traditional” advantage to compete with products from Canon and Nikon, such as the small, lightweight body, high resolution, versatile flip screen, integrated image stabilization system and Quick AF Live View.